Swedish fairy tales — Reading Notes
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Herman Hofberg's Swedish Fairy Tales (1888) opens with a preface that distinguishes between tradition—tied to specific places and historical facts—and saga, which roams freely in time and space. This framing sets up a collection where each tale is anchored by a historical or ethnographical note, grounding fantastical events in real Swedish locales. The translator, W.H. Myers, states he aimed for a faithful reproduction of Hofberg's ideas, leaving out some notes he deemed unimportant for general readers. The result is a volume that feels both scholarly and folkloric, where trolls borrow meal from parishioners and bishops confront the devil in roadside encounters.
Generosity and Its Opposite
A recurring pattern in these tales is the contrast between open-handedness and miserliness. In one story, trolls borrow food and drink from the parishioners of Resslared, always returning double. But when new, wealthy residents refuse to lend a measure of meal, ale, or milk, the troll woman's polite requests are met with lies—and the housewife's larder is mysteriously emptied. The plenty that once existed vanishes, forcing the family to sell out and move. Another tale features a gentleman so rich he could buy half of Vestergötland, yet so miserly he would not spend money on food. His wealth becomes a burden, and the story explores what happens when hoarding replaces sharing. These episodes suggest that in Hofberg's Sweden, generosity is not just a virtue but a practical necessity for community survival.
Bishops, Trolls, and the Devil
The supernatural in these tales often intersects with the ecclesiastical. Bishop Svedberg of Skara, described as a pious man and mighty preacher, finds the devil intolerable. When his wagon loses a wheel, the bishop calmly instructs the servant to throw the wheel into the rear and continue—only to discover later that the devil himself had been the fourth wheel, holding the axle. The devil later takes revenge by burning down Brunsbo, using a maid's candle snuffing as his tool. The bishop, in turn, sends the devil and all his imps to hell. This blend of folk belief and Christian authority is typical: trolls coexist with parishioners, and bishops wield prayers as weapons against supernatural mischief. The tales do not treat these encounters as allegory but as matter-of-fact events in the landscape of rural Sweden.
Local Legends as Historical Record
Hofberg's method is to collect the most typical traditions rather than everything available, and he accompanies each tale with a note indicating if the story appears in different places. This approach treats folklore as a kind of historical document, one that preserves local memory and moral lessons. The tales are not generic fairy stories but are tied to specific parishes—Resslared, Hassle, Skara—and often include named historical figures like Bishop Svedberg. The translator's decision to omit some notes for the general reader means the English edition leans more toward narrative than annotation, but the original impulse remains: these are stories rooted in place, meant to be read with an awareness of their regional origins. The collection thus functions as a map of Swedish folk belief, where every mountain, creek, and church has its own tale.
Readers approaching Swedish Fairy Tales will find a collection that rewards attention to local detail. The tales are short, often ending with a moral or a twist, and the historical notes (where present) add depth. Pay attention to the recurring motifs of borrowing, repayment, and the consequences of stinginess—they appear across multiple stories and suggest a cultural emphasis on reciprocity. The book is best read not as a single narrative but as a series of snapshots from a world where the supernatural is woven into everyday life.
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